Espresso coffee beans

This espresso delivers the best of a classic natural processed regional blend from Campo das Vertentes in Minas Gerais, Brazil. It exemplifies the consistent quality created by Brazil’s seasoned farmers. The producers use all available technologies to advance production, thus achieving coffees that offer balanced, smooth profiles, and flavor notes that we all love and cherish in a cup of coffee.

Organic coffee from the Fazenda Dutra in Brazil - combines excellent taste with certified and traceable quality. Fazenda Dutra is dedicated to producing high-quality coffees, investing in new technologies, and searching for more sustainable methods of production. Furthermore, the farm does not use toxic pesticides or herbicides, only biological treatments - the production process does not degrade the land and at the same time elevates the quality.

The sweet, fruity profile of this Ethiopian coffee is a classic representation of one of the country's most recognized coffee-producing areas - Beshasha. It is a washed process Ethiopian Heirloom, grown by the smallholder farmers who characterize the coffee production landscape of Ethiopia. Beshasha encompasses many terroirs, but farming across the region is traditionally low input and the outstanding attributes of the plants and the land are captured in every harvest.

Robert Rūrāns, Professions, 2018, Zuzāns Collections

Roberts Rūrāns is an illustrator and artist known for simple, expressive forms, bright, clearly structured compositions and a subtle sense of irony. He has collaborated with cultural institutions, media and brands in Latvia and abroad, including The New York Times, The Olympics, Hermès, airBaltic and Madara Cosmetics. His first solo exhibition, Chestnut and the Universe, presented at Zuzeum Art Museum, reveals the breadth of his work – from bold illustrations to more personal, spiritual imagery.

Tallinn - City Collection - Candy Shop

Tallinn, the capital of Estonia, located on the coast of the Baltic Sea is known for its well-preserved medieval Old Town (UNESCO). The city's iconic skyline is dotted with church spires and red-roofed towers. Next to this, combining century-old industrial history with modern urban culture, former factory and port areas have become inspiring residential quarters, creative and community centres.

Kristi Kongi (1985). “I think all the world has turned into what I’m seeing” (O’Keeffe).
Kristi Kongi’s artistic practice is characterised by processuality and affectivity, which manifest in a state of constant movement and in the shifting or dissolution of boundaries. 
These landscapes from the work, seemingly ablaze, speak to the aesthetics of the Anthropocene, where collective perceptions of both ecological unease and an uncertain sociopolitical situation have become, through the artist’s perceptual world, a reflection of the contemporary world. Kongi’s colour-rich environments are tangible and clearly defined, yet at the same time abstract and indescribable. Chromatic Drift offers an opportunity to lose oneself in a state of full presence.